draft CC BY-SA 4.0 24 operations · 20 apparatuses read

Analysis, move by move.

Read as much out of an artefact as it will bear — without crossing into speculation. art-ops serves that aim by describing analysis as operations: single, nameable moves on material, each with a declared profile — plannable, combinable across traditions, checkable item by item.

Working level
the operation
Every plan line
carries its evidence
Enforces
nothing — declares
The idea in three sentences
1

Analytical traditions contradict each other in their justifications — but many of their moves are identical or combinable. art-ops works at the level of the move.

2

Every operation is a profile: what it needs from the material, what it demands of the analyst, what it produces, what it forbids. Analysis sequences are planned mechanically from these profiles — including the conflicts between operations.

3

Honesty is a construction principle: the register distinguishes empirically tested statements from reading-derived hypotheses, and every generated plan declares this line by line.

The register

24 operations, ordered by stage

Distilled from 21 analysis-prompt files of a curated collection. Stage is a precondition ordering, not an importance ranking — stage 0 operations ask nothing of what came before.

0no precondition — cutting, suspending, fixing status
O3Extract the load-bearing pair of opposites
O6Cut into smallest self-contained partslow exposure
O8Suspend one's own categories; describe only
O10Split the situation into fixed and influenceable
O12Fix the material's status before interpretinghigh exposure · tested
O13Inventory the channels; state their ranking
O16Reconstruct the mode of address toward the addressee
O19Locate the tip-over from unremarkable to remarkablehigh exposure · tested
1reads a first structure
O2Hold a ready-made compartment list up to the material
O7List the web of conditions; no part stands alone
O9Check whether the presentation is covered by the substance
O17Log one's own preassumption; track its shift
O18Differentiate two renderings of the same content
O20Sort sign-binding by similarity / contact / convention
2reads position and distribution
O4Trace a neutrally-presenting statement back to its place of production
O11Count the kinds; hold the distribution against chanceexposed
O15Assign a person's position/roleexposed
O23Find the spot where pressing produces the counter-pressureexposed
O24Check the independence of concurring pieces of evidenceexposed
3reads absence
O5Register absence as a finding
4exposes construction
O1Expose what presents itself as self-evident as made
5–6proposes or checks stakes — the tail, never the start
O14Propose an intervention
O21Check whether a dispute has stakes
O22Test the crossing of several belonging-markers for an effect that arises only therestage undetermined
The evidence ledger

What is actually tested — as of today

Most of the register above is still hypothesis. A conflict is the register's term for a rule saying two operations can't run in the same analytical pass — most such rules are still untested reading. Four material findings stand. The most notable one is not a success story — a declared conflict was put to a test and did not survive it. The underlying test documentation is internal and not published with this repo — the ledger cites it; it cannot yet be independently inspected.

StatusFindingSupport
falsified O8 × O2 does not collide within the same pass — the first conflict of the register ever put to a test does not hold. o8-knot-v3pre-registered test, blinded judges — control held clean 3/3 · judges passed their own calibration check 6/6 · judges agreed completely (AC1 1.0)
practice-proven The authorship rule (both clauses — a source's own valuation may be reproduced, but only marked). o8-knot v1–v3built out of two failed runs, held in the third (0/3 → 1/3 → 3/3)
provisionally relieved O12 across two material grades — the a-priori "high" exposure rank stays formally listed, but the defect did not appear in practice (a null result at n=3 per cell, deliberately not stamped practice-proven). o19-o12-authorshipthe defect never appeared, on either material grade, 3 trials each
real-but-probabilistic O19's authorship defect is reachable — material-dependent, not knot-dependent. gnomic vs. easily-attributableharder material: defect in 1 of 3 trials · easier material: never
reading Everything else: 10 other O8 conflicts, ~35 cross-operation conflicts, 38 interop edges, 8 remaining exposed operations. untested hypothesis — no trial run yet
Not everything is a pipeline

A chain has edges. A pass set may not.

The register only claims an ordering or data edge between two operations where one is actually declared. Where none exists, the honest plan says so — instead of inventing a sequence.

A real chain

Uncle Sam poster — segmentation feeds typology feeds reading
O6 O20 O1

Two complementary passes

Call transcript — no interop edge O13→O16 exists
O13 no edge O16
Worked examples

Three artefacts, three modalities

text · 1863

Gettysburg Address

The inclusive "we/us" folds speaker and hearer into one obligation-community — and quietly excludes the enslaved, whose status the war concerned.

O16 — manner of address
Read the plan →
image · 1917

Uncle Sam poster

The "personal" address is industrial reproduction — the same pointing finger, printed for millions, addresses no one in particular.

O6 → O20 → O1 — chain
Read the plan →
dialogue · synthetic, CC0

Call transcript

A bot fails on schema-exclusion; a human agent repairs by abandoning it. The channel switch is itself an address switch.

O13 + O16 — complementary
Read the plan →
What it cannot do — yet

The limits, laid open

register

Mostly hypothesis. Profiles and conflicts are derived from source wording, not tested against material — see the evidence ledger above.

the planner

Plans; does not execute. A run mode is deliberately deferred until the register is more broadly validated.

interpretive ops

Have no hard falsifier. Their outputs are justified readings with a mandatory counter-reading, not measurements.

modality

Sound, moving image, numerical data and code are not covered. Image citation rests on an untested region convention (RCC).